The latest edition of The Rap-Up explores the intersection of legacy and innovation, examining how artists like Busta Rhymes and Bernadette Price navigate the weight of history while pushing their own creative boundaries. The Rap-Up: Like David Lynch, we find, is not just a stylistic choice but a thematic exploration of the surreal and the rhythmic.
Busta Rhymes & J Dilla, “Spazzz”
James Yancey spent much of his career working with gliders and groovers, but his work with Busta Rhymes represents a unique collision of energy. The partnership, which began in 1996, found its turbo engine in the new millennium. With the upcoming release of Dillagence 2, Busta Rhymes continues to honor the legacy of J Dilla, utilizing beats that challenge the listener and reject the monotony of modern production.
Bernadette Price, “Trust in God” f/ Terror Van Poo
Bernadette Price, widow of the legendary Sean Price, is carving out her own space in the industry. By assuming the legacy of her late husband while infusing her own distinct style, she demonstrates a powerful resilience. Her latest track, “Trust in God,” produced by Stu Bangas, is a testament to her ability to carry the torch of Brownsville hip-hop.
Alyssa, “Humpty Dumpty”
In a landscape where mononyms carry weight, Alyssa is making a strong impression. Her track “Humpty Dumpty” showcases a versatile flow and a knack for building compelling verses, proving she is a force to be reckoned with in the Miami scene.
Eddy Baker, “DavidLynch” f/ BONES
The influence of surrealism in hip-hop is perhaps best captured by Eddy Baker’s “DavidLynch,” featuring BONES. The track’s restrained piano rolls and submerged atmosphere evoke the eerie, dreamlike quality associated with the filmmaker, blending perfectly with the dark aesthetic of modern phonk.
Da$H, “Dog Day Afternoon”
Da$H returns with “Dog Day Afternoon,” a sharp, 100-second sermon that proves he hasn’t lost his edge. With production by Zoomo, the track is a welcome return to form for the New Jersey artist.